Post by Kat on Jan 5, 2011 9:20:54 GMT -8
Since other people are making new plots, and I wanted to trim my plot page down by quite a bit, I made a new thread. People should be excited about threading with me, mm'kay?
Ri'ley (Ripley), Twenty-Three, Rider of Black Dionyph
Alpha Winglet; Former Surgeon's Apprentice [/center]
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Sylvester, Twenty-One, Candidate; Delinquent; Apothecary; Twin Brother[/center]
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A huge flirt, especially with men, despite her sexuality, Ros’n hardly fits anyone’s description of the typical Eyrie rider. One of two female blueriders in the Pioneer class, Ros’n wields her sexual promiscuity as a means to manipulate and elevate herself in society. Ros’n is also a kinetic person, always moving, and fidgeting, and she has trouble sitting still and concentrating, especially on less physical tasks. Ros’n is quite the partier as well, and she loves engaging in all sorts of vices, mainly sex and alcohol, and because she is impulsive, loud, and energetic, she is a great person with whom to party. She is a hard worker, though, in her own way, and she feels as if she must prove herself to the other members of the Eyrie in order to fit in with a group of people with a much more promising background than her own history.
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Wegmeph is completely opposite to his rider. He is strict, hardworking, dedicated, and stern. Rarely, does Wegmeph approve of his rider’s actions, and he spends his time constantly correcting her. Wegmeph only comes out of his stiff, serious shell when he chases, which he does often solely because he loves the feeling of freedom he receives from it. A bit pompous and overbearing, Wegmeph disapproves of any intimacy between other people and his rider, and he can be quite cold and less than nice to Ros’n’s friends or lovers. Ros’n needs more friends, lovers, and perhaps some enemies.
Ri'ley (Ripley), Twenty-Three, Rider of Black Dionyph
Alpha Winglet; Former Surgeon's Apprentice [/center]
Stern and stoic, Ri’ley’s limited social skills prevent him from appearing openly friendly. He is stiff, especially in his manner towards other people, and quite socially awkward in the way that he conducts himself with a sort of imposed seriousness. He trained as a surgeon’s apprentice before he was searched, and Ri’ley is passionate about medicine even now that he has become a simourv rider. Even though he is closed off and controlled outwardly, inwardly, Ri’ley is all passion and fire, but he represses that part of himself to the best of his abilities. When the passion manifests, it overtakes Ri’ley, which gives the man his uncontrolled, and somewhat irrational temper. He is over protective and loyal to his friends, and his one sister, A’ryllis, and he feels as if he must ensure that the people he loves are safe. The man’s unfortunate habit to attach himself to the people he heals makes him vulnerable to emotional damage in his dealings with patients, which is never shown in his bedside manner, which is less than idea, stiff, and not at all personable.[/blockquote]
Like his rider, Dionyph is serious. He takes everything seriously, and he is obsessed with the honor of his position in the Eyrie. In fact, Dionyph is quite preoccupied with the Eyrie in general, and where each person and simourv fits into his scheme of duty, obligation, and position. Dionyph’s tendency to speak in overwrought, over-the-top, and ornate greetings, titles, and statements expresses his melodramatic nature. He tends to overreact to things, and he feels that even the smallest infractions on his person will ruin his life. Smitten with gray Laraph, Dionyph dotes on her constantly, even though he loves all his siblings and cousins quite a bit. Ri’ley and Dionyph both need friends as well as enemies.
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Ev’yn is somewhat difficult. She is afraid of being harmed by people and of exposing her vulnerabilities, and so Ev’yn shuts her off from other people and relishes in her stubborn independence. Immature and emotionally halted in many ways, Ev’yn is self absorbed, not in that she appears spoiled, but in the way that she cannot empathizes well with other people or understand that different life experiences and identities outside of her own exist in the mentality of others. Ev’yn is easily frustrated with social situations and she cannot like people who enjoy experiences that she hates personally. Although she comes off rude and cold, and although she closes herself off from other people, Ev’yn feels extremely isolated and lonely. She longs for companionship, even though she does not know how to pursue that ideal, and so she shuts herself off from any opportunities to make friends. Compared to Clymeph, however, Ev’yn appears like a social angel, an open and friendly individual, and a caring and empathetic woman.
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Clymeph is a cruel creature, who allows petty competition and bitterness to rule her universe. The simourv refuses to accept her place in the hierarchy of the Eyrie, and she resents when other people do not accept her obvious superiority over them. She is always competing with whomever she can compete, even if she ends up making the silliest and most trite contests with only her environment as an antagonist. Clymeph resents her rider, even though she loves her rider, especially the fact that Ev’yn is not the most perfect person that the green can imagine. While Clymeph constantly puts down her rider, she implores the same behavior with the other people and simourvs around her, and Clymeph often speaks her nasty judgments out loud. However, because Clymeph treats other people so terribly, Ev’yn constantly has to engage people in apologies, which is making the girl more outwardly kind. Furthermore, Clymeph’s constant companionship only makes Ev’yn want other friends even more, which intensifies her pursuit of that goal. They are matched well, if only because Clymeph embodies the darkest parts of Ev’yn, which allows the girl to improve herself beyond them. I have specific needs for Ev’yn. I would really like for her to come out of her shell and to embrace friendships with other people. So I need people to fill this void in her life. These people will have to be incredibly persistent, since Ev’yn is very much a loner. I would be okay if this person (or persons) were romantic partners or friends. I just need someone to pull her out of her stubborn fear of companionship and intimacy.
In her former life, Mo’na worked as an apprentice to her father, a traveling magician. Mo’na embodies many traits of her old profession and lifestyle, especially the drama, flashiness, and over-the-top aspects of parlor magic. She constantly puts on an act, one of confidence, beauty, and superiority, and even her carriage, posture, and voice convey the feeling of a performance. Trained as a kind of actress on top of her skill with the sleight of hand, Mo’na manipulates with extraordinary skill. She lies all the time, and she always cheats if she believes lying and cheating excel her in life. She feels no guilt for those kinds of actions. She also enjoys acting contrary, especially towards authority, and she often speaks and acts out of turn. Even though she recently bonded, a miracle itself, Mo’na finds the Eyrie life tedious. If she did not love her simourv Vestiyph, so much, Mo’na would find the Eyrie tedious, but right now the girl is too infatuated with her simourv to dislike her current situation. She needs more friends, especially friends in her winglet class.
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Perhaps even louder and more obnoxious than her rider, Vestiyph is a sweetheart but a bit obnoxious. She loves expressing herself to anyone who will listen, and she has a terrible tendency to gossip. Vestiyph also loves trumpeting her opinions of people to whoever will listen, but almost all of Vestiyph’s announcements are glowingly positive. She loves other people, and she loves complimenting other people, especially about clothing. Vestiyph is a bit shallow, especially since she loves clothing and fashion more than even her materialistic rider. She is always looking at and talking about clothing, and she admires articles of clothing often. When she grows up, Vestiyph wishes to adorn herself in all sorts of baubles, earrings, and other fancy, shiny items. The simourv is obsessed with her rider, who she idealizes to a naïve extent, and while Vestiyph seems to love everyone, she adores Mo’na. The girl can do absolutely no wrong to the hatchling, who dotes on and compliments Mo’na constantly. Mo’na loves the attention, and also feeds the fire by treating her simourv with a similar affection. Mo’na and Vestiyph need friends, and Mo’na needs enemies.
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Before the death of his wife Isabel, Ja’son was a clumsy, incompetent, but well-liked fisherman and handy man in Itnala. He was charming, kind-hearted, and sweet, and people respected him not because of his skill at any craft, but because he compensated for his over-all lack of coordination and competency by being a great community member and person. When xymokoxi slaughtered Isabel, Ja’son retreated into himself, becoming a slave to his pain and his anger, which he refused to express. When he lost Isabel, Ja’son lost himself, and he ended up living with his parents in a state of constantly sulking and becoming more and more depressed about his inability to perform even the simplest tasks. Now that he is at the Eyrie, Ja’son is recovering from Isabel’s death slowly. He is withdrawn and cold, but he is starting to open up to other people. While Ja’son is still quite incompetent at tasks, his motivation and determination force him to try and try until he completes his tasks. He is a good worker, not because of his natural skill, but because of his ethic.
The only creature preventing Ja’son from finally breaking free of his shell and embracing his increasingly positive mental state is Foph, his blue hatchling. Foph is overprotective, overbearing, and most obviously, obsessively possessive. Foph does not believe that Ja’son should need anyone outside of his simourv partner, and the blue simourv expresses this sentiment to Ja’son often. Foph is easily made jealous, and he becomes violent and irritable if he believes someone is trying to take his place in Ja’son’s heart. The simourv dislikes other companionship besides Ja’son, and so far, Foph has not shown any desire to branch out his scope of friends. To other people, Foph is withdrawn and stubborn, and to Ja’son, he is protective and possessive in a way that keeps both partners a bit isolated. Ja’son wishes greatly to force Foph to interact with his siblings, but the man has not yet figured out a way to do so. Ja'son desperately needs any sort of relationship. I really want to use him.[/size]
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Sylvester, Twenty-One, Candidate; Delinquent; Apothecary; Twin Brother[/center]
Sylvester is a walking disaster of a person. He never really recovered from the death of his parents, and he manifests his unmanaged grief as an impulsive temper which generally keeps him in trouble. He is also Sil’us’s twin brother, and Sylvester is the worst behaved of the pair. He is reckless to say the least, and at worst, he has a death wish—he finds that the only way he enjoys himself is by being in overt proximity to death. He fights, often, usually drunk, tends to spend days at a time away from home, and engages in lots and lots of sexual relationships. The more endangered Sylvester is, the better he feels about himself, and he finds no other means of achieving the same emotional high. But despite his pugilistic tendencies, Sylvester is not very loud. In fact, he does not like talking, and when he does, he is very curt and abrupt. He has no real sense of polite behavior, and he has very little charm. He also does not believe in authority, and even in circumstances where he sees the logical and rational value in following rules, he refuses to do so. Sylvester’s disregard for authority, impulsive and reckless behavior, and inarticulate expression make him appear quite stupid, but he is actually quite intelligent and educated. The man also possesses a certain sort of moral rectitude to him, despite his usually negative behavior. He is fiercely loyal, and he also believes in paying his debts, repaying others, and acting upon his word. He believes in responsibility and payment, which means that while he acts irresponsible often, Sylvester always accepts his behavior, admits it, and understands its negativity. He is a confused person, a mysterious person, because of his many contradictions, but underneath his brash confidence lies a hurt, scared, and insecure child who acts out as a means of conveying the emotional turmoil he cannot handle. Sylvester needs everything; I really, really want to play him some more.[/size]
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KAT MOST DESIRES
Plots with Ev'yn, especially, but also plots with Ja'son and Sylvester. I am least interested in plotting with Mo'na, as I do not have much muse for her at the moment, and as I currently have a lot of plots and threads with Ri'ley, I would prefer to plot my other characters first, before I establish new relationships and threads with him.